1/7/2024 0 Comments Phew phew songPre-order buy pre-order buy you own this wishlist in wishlist go to album go to track go to album go to track That spontaneity has been a hallmark of her music ever since, which she’s created in fits and starts over the last four decades, the last of which has seen her focus increasingly on home recording using only voice and electronics. Ryuichi Sakamoto, who was still working with Yellow Magic Orchestra at the time, signed on to produce her first solo single “ Finale” in 1980, which led her to visit Conny Plank’s famous German studio where she made her largely improvised solo debut album with CAN’s Holger Czukay and Jaki Liebezeit. As she told Biba Kopf in a 2003 feature published in The Wire, “I realized this was not something you were supposed to watch, it was something you were supposed to do.” She returned home and started the art-punk band Aunt Sally, inaugurating a lengthy career in music defined by an enduring punk ethos. She’s always trusted her gut in 1977, she flew to London to see the Sex Pistols live, because she wasn’t content with experiencing them through recordings. As she has said in the album’s press materials, “Personally speaking, I’ve stopped being able to see a future that extends from the present.” The album is simultaneously dystopian and oddly human-a transmission rooted firmly in the present with little concern for what will happen tomorrow. She’s just released New Decade, a stunning solo album recorded in her home studio in the Tokyo suburb of Kawasaki during the pandemic. She’s a genuine autodidact, mostly developing and honing her practice on her own, while occasionally collaborating with an international cast of heavies including members of the legendary German band CAN, American experimentalist John Duncan, Raincoats member Ana da Silva, one-time Boredoms guitarist Seiichi Yamamoto, and musical polymath Jim O’Rourke. I think this is a terrible thing.” The truth is that she has changed, while remaining true to herself, operating at the fringe of her homeland’s experimental music scene while also retreating for years at a time. In a recent interview, she self-effacingly claims that, “It’s been over 40 years, and I’m still making music the same way. 1K Phew is available now HERE.For nearly four-and-a-half decades the Japanese singer known as Phew (neé Hiromi Moritani) has blazed her own path, trusting instincts that she’s stubbornly refused to temper. That’s why God is the best.” “GOD IS THE BEST” ft. “I want to remind people that better days are always ahead, and it’s OK to not be OK, because God sees that and he cares. “I’m always finding new ways to innovate and talk about my story in a new way, but my central message is consistent,” he says. Working once again with the same team, Brasel found an opportunity to “take everything up a notch, sonically,” while adding new depth and dimension to his lyrical focus on faith, self-improvement, and resilience. 1, Brasel’s 13-song mixtape from November 2021. Those three producers also helped create Destiny, Vol. Like the rest of TRANSCENDENT, “GOD IS THE BEST” was produced by Dirty Rice, Joseph Prielozny, and Juice Bangers. But 1K Phew brought his unique style while staying true to what was being created. “Some guests get on a song and do their own thing and run it off the tracks a little. “He just perfectly fit into the track,” says Brasel of 1K Phew, who previously teamed up with the GRAMMY®-winning Lecrae for 2021’s collaborative mixtape No Church In A While. Featuring snowmobiles, wintry weather, and stunning landscapes, the video crackles with the electric energy shared by Brasel and his duet partner, fellow artist 1K Phew. The clip was filmed in Pagosa Springs, Colorado, with the San Juan National Forest serving as a picturesque backdrop. “It’s a mixture of two worlds: these energetic, powerful verses that really move, and a heartfelt section with piano and singing,” Brasel says of the new song.Įqually powerful is the track’s music video, also out today. The GMA Dove Award nominee keeps his eyes glued to the sky with TRANSCENDENT’s first single – hitting digital platforms today, “GOD IS THE BEST” offers a three-minute blast of street-smart spirituality, delivered by an artist who proudly combines hip-hop momentum with pop melody.ġK Phew makes an appearance, too, with both rappers glorifying their maker over buzzing keyboards, trap beats, upright piano, and thumping bass. Listen to the track HERE. The summer is looking bright for IVAV recording artist Ty Brasel, who will release his new album, TRANSCENDENT, during the months ahead.
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